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Editor's note: This review evaluates Grounded based on its early access state. We plan on reviewing Grounded again once it gets a full release. Think about your favourite survival games. Think back to how they launched. Think of their initial public showing. If your favourites are like mine, you'll notice a trend: None of them were very good when they first launched to the general public. Subnautica had me on the edge of my seat at launch, but it ran terribly. Four years later and its 1.0 build was one of my favourite games in a year that included God of War and Red Dead Redemption 2. The Forest , similarly, launched a mere shadow of the terrifying adventure it would eventually become. No Man's Sky was near-universally criticised at launch, but it eventually reached its potential and went beyond. Grounded , from Obsidian Entertainment, is currently in the early part of the aforementioned Early Access phase, and is lacking in many respects. But, like the games mentioned

Retro throwbacks that take inspiration from classics of a bygone gaming era can be found all over the various download storefronts that exist in today's console landscape. Taking inspiration from past masterpieces is one thing, but doing it well--and making a game that feels fresh and fun in the process--is another. Panzer Paladin borrows ideas and aesthetics from a variety of NES classics ranging from Blaster Master to Zelda II, but it mixes them all (with a dash of mech anime styling for flavor) into a curious new concoction. The result is a fun and engaging adventure that 2D action fans old and new would do well to check out. Panzer Paladin's premise and visual style feel lifted straight out of a cult-classic retro game from the early '90s. As spunky, jump-suited android lady Flame, you are tasked with piloting your giant sentient mech exosuit buddy Grit in an effort to fight off a massive race of bloodthirsty, war-hungry interstellar monstrosities called the Ravenous.

Maid of Sker begins in earnest as you walk under a burgundy banner advertising the Sker Hotel's grand reopening. The ivy-covered building looks more castle than inn, with gray stone walls and a central spire flanked by turrets. It's an imposing piece of architecture, starkly distinct from the sun-bleached wilderness that surrounds it. Passing under that banner and into the dark and secluded inn is the playable version of that moment in a horror flick when things in idyllic suburbia go sideways, or when a shark shows up to wreck a perfectly nice day at the beach. The banner is the dividing line between Maid of Sker's "before" and "after." Unfortunately, much of the evocative promise of the before disappears the moment you enter the after. We move through this story as Thomas Evans, a composer who has traveled to Sker Point, a rocky peninsula on the southern coast of Wales, to rescue his lover Elisabeth. She grew up here, the daughter of renowned singer

I love two types of sci-fi stories: the ones that are very dark and heavy with themes about humanity's failures, and the ones that are corny and feel like the product of someone who thinks space is a playground for fun. Destroy All Humans is firmly in the second category, embracing its cheesy story and dialogue, creating an entertaining sandbox for destruction that's still satisfying 15 years after its first release, even if it's bogged down by poor audio quality and shallow stealth mechanics. The story plays out as a B-grade sci-fi movie set in the late '50s/early '60s. Over the six hours of campaign missions you'll laugh (or groan) at the majority of jokes and bad one-liners, making for an overall enjoyable experience. The premise of two aliens completely taking over America because humans are wildly incompetent is too ridiculous to take seriously, and the game embraces the absurdity well. The voice work from the original release helps up the camp level, bu

As you're slinking around air ducts and planning a surprise attack on a helpless scientist, it's difficult not to feel empowered by Carrion 's approach to horror. Here you aren't the one slowly peeking around each corner to make sure you're safe--you're the one doing the hunting, leaving a gory trail of devastation as you pick apart an underground laboratory one department at a time. When Carrion gives you the tools to be the best betentacled killing machine you can be, it's a satisfying monster simulator with engaging puzzles and clever combat, but it falters in moments where you don't feel as in control as you should be. Carrion's star is undoubtedly the gooey red monster you play as. Simply moving around is immensely satisfying. It feels as though you're constantly floating, with extending appendages latching onto surfaces around you to feed into the illusion of chaotic but calculated traversal. By making movement effortless, Carrion lets you

Rock of Ages 3: Make or Break is a carefree hop, skip, and jump through world history, art, and absurdist meme culture. One moment it's 800 BC and the set is dressed in the myths of ancient Greece, the next it's 1500 AD and the sun god gazes down on Tenochtitlan, then a bit later it's the very beginning of time and everything is spaghetti and meatballs. It never dwells, never stops to make sense of it all. Historical figures pop their cartoonish heads into view for a brief visual gag before disappearing, bit players tossed aside in a bygone round of whack-a-mole. Fittingly, Rock of Ages 3 is best enjoyed with the same restless approach in mind. Structured as a series of discrete challenges, each hectic bout of arcade action lasting no more than a couple of frantic minutes, it feels designed to be experienced in short, sharp bursts. Don't linger. Dip in and, when you feel the frustration levels rising, dip out, move on to a new challenge, or simply come back later. Th

The rocket launcher is one of the most recognizable weapons in multiplayer shooters. From Quake to Team Fortress, its function as a weapon morphed into an alternative means of traversal, with the risk of a self-inflicted death and the reward of superior map positioning enticing players to become proficient at rocket jumping. In Rocket Arena , both the rocket launcher and rocket jumping are core to the action. But without suitably satisfying shooting and the mitigation of all the rewards associated with its core mechanic, Rocket Arena lacks a compelling and lasting appeal. Rocket Arena features a roster of 10 playable characters, each equipped with their own version of a rocket launcher and some auxiliary abilities. The variations go from basic, such as Jayto's straight-shooting launcher and multi-missile secondary attack, to complicated, like Kayi's ability to speed up friendly rockets and slow down enemy ones. Whether you settle on the lobbed rockets of space pirate Blastbear

Death positivity --a movement that encourages people to openly acknowledge and normalize the traditionally taboo topics of dying and grief--is a relatively new subject for video game narratives, though it has been popularized through indie titles like A Mortician's Tale and What Remains of Edith Finch . Necrobarista joins that conversation but with a more hands-off approach, telling the player a story that revolves around the themes of death as opposed to letting players be a part of the narrative. Ultimately, this is to the game's detriment, but Necrobarista still manages to deliver a genuinely moving character-driven narrative about coming to terms with death, whether it's that of a loved one or our own. As it's a visual novel, there's not much in terms of gameplay when it comes to Necrobarista. Your primary means of understanding its world is by reading its story, which is told in a slice-of-life format that provides a quick snippet of the daily goings-on insi

In the 26 years since Revolution Software released Beneath A Steel Sky , the adventure game has come full circle. After the genre struggled to adapt into 3D and was briefly declared dead by pundits, the genre's resurgence occurred on two main fronts--the simplified, story-driven 3D games of Telltale, which focused on choice and consequence over puzzles, and retro-styled 2D games released like Unavowed , Kathy Rain , and Broken Age , which included a lot of the esoteric puzzle-solving the genre used to be known for. Beyond A Steel Sky , the long-awaited sequel to the 1994 original, is an attempt to bridge the gap between those two styles--but unfortunately, it ends up feeling like some of the messier 3D adventure games from 20 years ago rather than another classic like its predecessor. Beyond A Steel Sky brings back Robert Foster, the protagonist of the first game, and picks up 10 years after his escape from Union City and LINC, the half-mechanical, half-organic being that runs it.

Editor's note: This review evaluates Ooblets based on its early access state. We plan on reviewing Ooblets again once it gets a full release. Ooblets is a charming little game, which is immediately apparent upon booting it up. You're greeted with a loading screen that lets you know the game is taking the time to "delete negative reviews" and "make you wait" before getting blasted with an onslaught of bright colors and an adorable soundtrack that you can really groove to. I've seen firsthand what this game can do to people: My roommate sashays to the beat whenever he walks by my door while I'm playing. I'd make fun of him for it if I didn't catch myself doing the exact same thing. Ooblets maintains its cutesy tongue-in-cheek humor and visuals all throughout. The catchy soundtrack never lets up either, firmly establishing Ooblets as another one of those relaxing life simulator games that will assuredly take an embarrassing amount of hours f

The first thing you should know about Bloodstained: Curse of the Moon 2 is that it features a playable corgi named Hachi who pilots an enchanted mecha-tank. The second thing you should know is that the classic Castlevania homage is in every way a marked improvement over the first Curse of the Moon. In fact, silly and meme-able as it is, the corgi represents a more playful spirit in this sequel that makes the whole experience richer. The first Curse of the Moon was a short and sweet diversion, a little treat for Bloodstained backers and a neat idea to contextualize the new franchise venture from Castlevania producer Koji Igarashi. It essentially presented an alternative history, where Bloodstained was a known retro franchise and the then-upcoming Bloodstained: Ritual of the Night was a bold reinvention a la Symphony of the Night. For all its charms, though, Curse of the Moon played it pretty straight with its influences. The tone was moody and gothic and the heroes were stoic slabs o

In 2020, it's been harder than ever to have a truly good night's sleep. With the world in disarray as a pandemic threatens our safety and wellbeing, I know that I am not alone in seeing a heavy uptick in nightmares, including dreams about death, disease, and general distress. Superliminal is about dreams and dream-logic, and represents a sort of nightmare itself, but it's a different kind from the ones I've experienced. For all its confusing geometry, strange logic, and growing unease, it's ultimately an optimistic and satisfying experience. Superliminal offers a short, enjoyable run through a subconscious in crisis, and it's a consistently clever and pleasantly challenging game with a lot on its virtual mind. You play as a patient of Dr. Glenn Pierce, one who is undergoing the Somnasculpta sleep therapy program. The whole game is set within your medically induced dream as the program probes your subconscious, asking you to complete a series of challenges to fi

The Paper Mario series thrives on a clever irreverence that can be hard to maintain. Its outlandish scenarios mash the absurdist, dreamlike world of the Mushroom Kingdom and the mundanity of the real world. It takes jabs at the very concepts that inspire it, nodding knowingly at the audience and whispering, "This whole thing's kind of weird, right?" It's a fun take on the usually-earnest Mario games, but that kind of slyness turns grating when the bits--or, in the case of a game, systems--that are supposed to prop it up don't work, which is where the last couple of Paper Mario games have struggled. But in surprising course-correction, Paper Mario: The Origami King 's most clever trick is how its overhauled combat complements its sharp wit, turning the series' Achilles' heel into one of its biggest strengths. Paper Mario: The Origami King's conceptual gimmick is how its titular origami king, Olly, transforms the flat cutouts of the Paper Mario univ

You gotta respect a game that tells you exactly what it is upfront. Within minutes of starting Superhot: Mind Control Delete , you're told, in those now infamous subliminal text cards that pop up from time to time in the previous games, that yes, this game will give you more. No story. No closure. No long-winded explanation of what happened in the last two games. Just more senseless shooting, and then it'll be over. And to Superhot Team's credit, they deliver on their promises. This is, definitely, a lot more Superhot. But it's also a few other things that aren't nearly as welcome. Mind Control Delete is still fundamentally following the same mantra as the other two games: Time Moves When You Do. It's still a first-person shooter that places you in sparse, stark white, and self-contained little killzones, against a small group of keen-to-kill goons made out of, seemingly, fragile red glass. Your job is to John Wick your way out of whatever wild scenario you'

If a youthful obsession with Japanese samurai cinema and an audiobook version of Musashi have taught me anything, it's that if you want to be a great swordfighter, having a connection to nature is important. Skill with a weapon isn't purely driven by physical strength and technique, but also by the acuity that comes from observing trees, mountains, and rivers. Something like that. While I can only make guesses as to how inspirational the rural areas of feudal Japan would have been, the scenic island portrayed in Ghost of Tsushima, an open-world 13th-century samurai epic, is one that often stirs something inside me. Beyond being a game centred around flashy sword fights and the journey of Jin Sakai to becoming a proto-ninja, Ghost of Tsushima invites you to lose yourself deeply in its grasslands, forests, and mountains. And though the tasks you're given often aren't as brilliant as the colour of the leaves, there's certainly something wonderfully humbling about jus

Imagine being able to take back every mistake you make, instantly, reliving each moment over and over until it plays out as you hoped. In less astute hands, it could feel like an exercise in trial and error. In Desperados 3, however, it unfolds in masterful fashion, providing ample scope for you to dream up a multitude of creative plans alongside the ability to reset the board in a flash should the plan fail. It's a rapidfire process of forming an hypothesis, testing it and tossing it aside. By encouraging experimentation at every turn, Desperados 3 proves a stealth tactics game where invention thrives. Stealth games can often degenerate into a loop of quick-saving and quick-loading. Desperados 3 is built around that loop, an aspect reinforced by a tutorial which instructs you on how to quick-save and quick-load before it tells you how to deal with an enemy. It's hammered home by regular pop-up notifications informing you of the time since you last quick-saved. You can customi

It's been a long, long road for CrossCode to finally hit consoles. The 16-bit throwback RPG started life as a widely praised 2012 tech demo, enjoyed a super-funded 2015 Indiegogo campaign, and then arrived on Steam in 2018. Two years later, it's hard not to feel that all this runway has caused CrossCode to be overly ambitious and complicated--even for veteran genre players. As I was sailing into my 20th hour and still trying to not second-guess my shaky strategy for the vast amount of stats that can be customized and stacked, the game was still unspooling tutorials and rolling out new wrinkles. CrossCode is a lot of game to wrap your head around, and one whose expansive menu screens and tutorials double as a mechanically overbearing strategy guide that cannot be skimmed to even start to get your bearings. Playing CrossCode can be a bit like going on a road trip without GPS: Every few miles, you have to pull over and unfold an unwieldy road atlas. CrossCode, at its heart, is n

Deck-building can prove intimidating. Trying to determine synergies and strategies when starting out is a tall task, and pairing that with a roguelike--where failure in battle will send you back to the start of another randomized dungeon--might seem downright overwhelming. Yet thanks to a setup that encourages experimentation and is rewarding to play even when you're failing, Slay the Spire marries roguelikes and deckbuilders beautifully--and it's easy to see why it's helped to popularize this burgeoning mix of genres. Slay the Spire sees you take part in a series of battles, amassing a collection of cards that dictate your every action in combat: There are cards that launch attacks, allow you to defend yourself, buff you, or nerf enemies. Most cards in and of themselves are relatively simple, consisting of a straightforward action and an associated cost. Battles see you ascend the titular spire and acquire new cards, relics, and single-use potions, and you'll need to