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It's easy to fall in love with the idea of Soundfall. Its action role-playing gameplay marries concepts from twin-stick shooters and rhythm games, challenging you to stick with the beat as you attack enemies while dodging their blows. It's a conceit that has been experimented with in multiple other games, sometimes to great effect. But those other successes manage to enhance the mechanic beyond its initial charm, which isn't something Soundfall ever quite replicates in its extensive campaign. Everything in Soundfall moves to the beat of the song playing in the background. All your actions require you to time them according to the beat to be effective, whether that's your standard ranged attacks, up-close melee swipes, or damage-dodging dashes. Enemies are similarly tied to the same constraints. Their attack patterns don't change with the beat, but the speed of them does. The build-up time associated with the shot of a sniper will be faster or slower based on the so

When the Hatsune Miku voice software debuted back in 2007, few could have guessed the tremendous impact it would have. The concept of a virtual singer--one whose songs were almost entirely user-generated--was a bizarre and intriguing novelty. 15 years later, Miku and her friends have endured, solidifying their reputations as pioneers across music, the internet, and gaming cultures. Sega's Hatsune Miku: Project Diva serves as a powerful testament to the aquamarine-haired songstress' lasting legacy, and Project Diva Megamix+ is a phenomenal reminder of Miku's musical significance. Like previous games in the series, Project Diva Megamix+ is a rhythm game built around the popular Japanese "virtual singer" characters of Hatsune Miku, the Kagamine Rin and Len duo, Megurine Luka, Meiko, and Kaito. Each game in the series offers a selection of songs sourced from independent creators who've made songs using these characters. Most of these tracks also feature an elabor

Five games in and sniping Nazis still hasn't gotten old. Whether it's a well-placed bullet in the back of the skull, a shot right through the iris of an unaware enemy, or a 200-yard peach that collides with a pair of testicles, Sniper Elite's schlocky long-range action remains gloriously fun. It's in the moments outside of the sniper's scope where the series has previously struggled to compel, but that all changed when Sniper Elite 4 arrived with refined stealth mechanics and massive, open-ended maps. In picking up where that game left off, Sniper Elite 5 doesn't feel quite as revolutionary in comparison, but with some smart new additions and a more ambitious emphasis on player agency and experimentation, this is another thrilling Nazi-hunting adventure where sniping is king. Once again, you're thrust into the mud-caked boots of American marksman Karl Fairburne, this time deep behind enemy lines in occupied France. Sniper Elite 5 is set in the weeks and day

Apex Legends has gone pocket-sized with Apex Legends Mobile , an entirely separate version of the battle royale game for Android and iOS devices. Apex Legends Mobile is quite different from its older sibling, featuring a unique roster, maps, modes, and progression track--some of which unfortunately detract from the overall experience. However, Apex Legends Mobile streamlines the process of playing a battle royale to create a fairly rewarding experience that's fun to play. Apex Legends Mobile is a battle royale game first and foremost. You and your squadmates pick from a roster of hero characters called "legends," before then dropping onto a map. To win, you need to loot supplies and weapons, escape the encroaching energy wall that slowly corrals squads into an ever-dwindling space, and be the last team standing. When you fall in battle, your allies can grab your banner from the deathbox you leave behind and respawn you, keeping the whole team in the fight. There's

Swansong is a role-playing game that delivers the entirety of its drama through dialogue–there is no combat to speak of. Critical scenes between characters are resolved within conversational set-pieces called "confrontations." RPGs can exist without traditional battles--just look at Disco Elysium, for example--but the dialogue now thrust center-stage needs to sing, or at least harmonize with a deep skill system. Swansong, sadly, delivers neither. Its writing is pedestrian, often incoherent, and its supporting systems are underutilized, adding little flavor to distinguish the three playable characters. You play as three vampires--Emem, Galeb, and Leysha--summoned to a crisis meeting at Boston's vampire HQ, after a party to mark an alliance with the Hartford Chantry (a sect of blood sorcerers) ends in a bloodbath, and not the good kind. The local vampire prince instructs the trio to uncover what happened and eventually sends them on a series of overlapping missions of reve

Horror fans are living in a golden age. It seems like a few major horror franchises are adapted into games every year, most often in the asymmetrical multiplayer genre. Casting a group of friends as hapless survivors against another player hunting them as a supernatural foe is a great idea on paper every time, even as end results can dramatically vary. Evil Dead: The Game doesn't stray far from this foundational premise. However, it smartly leans on its B-movie hijinx to deliver fans something worthy of being in their horror game rotation, even if it doesn't have the soul to swallow all of their time single-handedly. While Evil Dead: The Game is its official title, you could rightly call it Fan Service: The Game instead. Drawing from the original three movies and the Starz series--sorry, reboot fans--Evil Dead beams with pride and fandom from its developers, collecting all manner of weapons, Easter eggs, locations, and corny one-liners that made the series famous. Original ac

After the success of 2016's Salt and Sanctuary, indie developer Ska Studios could've rested on its laurels when designing a sequel to the 2D Souls-like. Instead, the two-person studio has done the opposite, pulling from an amalgamation of influences to create a game that differs vastly from its predecessor. Salt and Sacrifice isn't just another 2D Souls-like; it still retains many of the genre's fundamentals, yet its allusions to Metroidvania and, crucially, Monster Hunter, are much more pronounced. While it does feature satisfying combat and progression, many of its risks don't always pay off and this curious concoction falls just short of realizing its full potential. Salt and Sacrifice casts you as a condemned prisoner in a kingdom corrupted by malignant magic. Monstrous creatures now roam the lands, with the source of all this defilement tracing back to the nefarious Mages who now stalk each region. Given the option of either execution or a life of Mage-hunting

A while back, the minds behind the beloved Suikoden RPG series set up a Kickstarter to fund Eiyuden Chronicle, a classically styled JRPG currently set for a 2023 release. However, one of the stretch goals was for a "companion game," meant to help introduce players to the world and its characters while the flagship title was being developed. Enter Eiyuden Chronicle: Rising, a 2.5D, side-scrolling, exploration-action game with light RPG and town-building elements. While it might not be the big game that fans and Kickstarter backers are eagerly anticipating, there's enough to Rising to make it worth a look. Gallery As the game begins, we're introduced to CJ, a sprightly, eager-to-help young girl who's the central character of this little saga. Her clan's rite of passage involves finding an impressive treasure, and in her search, she stumbles across New Nevaeh, a mining town that's been ravaged by a massive earthquake and bandit attacks. CJ suspe

RiffTrax is the successful version of your favorite pastime: hanging out with your friends and making fun of bad movies. Combining that with the party-game genre, which has largely been dominated primarily by Jackbox Games, makes sense. RiffTrax: The Game allows players to write their own comedic lines to accompany clips from bad movies. Are you and your friends witty or do you rely primarily on the fallback of making a robot voice say "f***" and "shit" to get your laughs? RiffTrax: The Game is essentially a spiritual successor to developer Wide Right Interactive's What The Dub but with the added voiceover work and witty writing of the RiffTrax crew: Michael J. Nelson, Kevin Murphy, and Bill Corbett. You may also know these voices from the '90s TV show Mystery Science Theater 3000 as Mike Nelson, the second Tom Servo, and the second Crow, respectively. The multiplayer party game features over 250 movie clips, many of which come from RiffTrax classics fans w

The one thing that immediately stands out about Trek to Yomi is its striking visual style. Set during Japan's Edo Period, Trek to Yomi captures feudal Japan with a grainy black and white filter reminiscent of classic samurai cinema--particularly the movies of legendary filmmaker Akira Kurosawa. Almost every single frame in Trek to Yomi could be a painting; such is the beauty of its immaculate composition. For all of its gravitas, however, the side-scrolling action game underneath it all continually underwhelms. When two heavy, steel katanas clash against each other with a subdued and weightless whimper, it becomes clear that Trek to Yomi lacks the substance to match its fantastic style. Most of your time in Trek to Yomi is spent cutting down enemies with protagonist Hiroki's deadly katana. Combat adopts a familiar structure as you utilize light and heavy attacks, parries, dodge-rolls, and ammo-limited ranged weapons like a bow and shurikens to carve through each enemy encounte

Retro-throwback is a popular aesthetic these days. Turns out, detailed 2D pixel art, jammin' chiptune soundtracks, and pick-up-and-playability are timeless. One under-the-radar series that's been rocking the retro aesthetic is Gotta Protectors, a multiplayer overhead action/tower defense/real-time strategy fusion that's earned fervent fans. Gotta Protectors: Cart of Darkness is the series' latest entry, and it's a frenetically fun and strategic adventure alone or with up to three companions. The world of Gotta Protectors is one of those video game fantasy universes where hordes of monsters are always attacking, placing the kingdom in peril. Fortunately, the kingdom has Princess Lola and her magical banner that can heal and protect all of her subjects… except for herself. That's a pretty fatal flaw, but fortunately, she's got a guardian army: the Gotta Protectors, a motley gang of warriors and weirdos whose purpose is to keep Lola from harm (and quench her t